Drops city, lavender-bloom, dusk-horizon, purple-mountains, lake-dawn,
and snowy-dawn, then renumbers the survivors so the sequence stays
contiguous. The remaining set is uniformly pale, which is what a light
theme needs; the cut ones were mid-tone or saturated enough that the
bar and window borders lost contrast against them.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_018CC9kSQv8ZEogaxDoeKBzL
Rename the palette keys to the canonical background/foreground names the
resolver actually reads. The short bg/fg spellings were never aliased, so
every derived key was silently falling back.
Fill in the orange and brown slots too. Lupine is a deliberately cool,
near-monochrome blue palette, so both stay in family rather than
introducing warm hues the theme never had.
Drop neovim.lua and vscode.json. They pinned third-party extensions that
had to be installed separately; the generated templates cover both from
colors.toml alone.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_018CC9kSQv8ZEogaxDoeKBzL
Convert the Lupine theme to the semantic color system introduced in the
quattro/Omarchy 4 line:
- Rewrite colors.toml from the old accent/foreground/background/color0-15
scheme to the semantic palette (mode, bg/fg ramp, named ANSI hues, and
bright_* variants). The chromatic palette is preserved exactly; only the
keys are renamed.
- Replace the empty light.mode marker with mode = "light".
- Drop the hand-shipped btop.theme and chromium.theme; both are now
generated from default/themed/*.tpl at theme-set time.
Selection now follows the convention used by the other light themes
(selection_foreground = bright_fg over a light selection background)
instead of the previous inverted dark selection bar.
