T62: Ely's shirt and back hair run on below the edge she holds, past her highest lift, which a user asked for after 0.1.6, where a hop lifted her off the window and showed a gap under her collar and hands

AGENTS.md

@@ -119,3 +119,4 @@ ELYTerminal. A terminal on GPUI and Ely components. `PRD.md` says what it does;
 - 2026-10-19: files dropped on the terminal type their paths, which a user asked for after 0.1.6, as macOS Terminal does: each path followed by a space, the paths of one drop in its order, sent as a paste, bracketed when the program asked, and kept literal for the shell the session started, which its name says, as the integration reads it: for sh, bash, zsh, fish and any other, each character Ghostty escapes gets a backslash, and `^` and `~` too, which zsh's `extendedglob` reads; for pwsh and powershell, the default on Windows, single quotes, each single quote inside doubled, PowerShell's curly ones too, since PowerShell reads a backslash as a plain character and expands `$` inside double quotes; for cmd, double quotes, which keep `&`, `|`, `<`, `>` and `^` inert, the backslashes ending a path doubled, since a program's parser reads `\"` as a quote, as `C:\` ends, and a path holding `%`, or `!`, which cmd expands inside them under `/v:on`, stops the drop. Windows Terminal's quotes around a path with a space alone leave `$(...)` and `;` live in PowerShell. A program run inside the session, `cmd` under PowerShell among them, gets the session's own quoting. A path not in UTF-8, or holding a control character, which would act as it is typed, stops the drop, logged. gpui hands a drop to the hitbox under the pointer only while the last input was not the keyboard, and a file drag counts as no input of its own: after typing, a drop with no pointer move over the window since does nothing, and nothing in ELYTerminal sees it, which the owner chose to leave so. `shot`'s `drop@x,y` plays a drop through `Window::dispatch_event`, so AppKit's drag session itself goes untested.
 - 2026-10-19: fallback fonts, which a user asked for after 0.1.6, since the Chinese and Latin fonts people like seldom come as one: `font_fallbacks` in the settings lists installed families, tried in order for a character Font family lacks, through gpui's `Font::fallbacks`, which CoreText's cascade list, DirectWrite's fallback builder and cosmic-text's chain each honor; the system's own fallback follows the last. On Linux gpui's cosmic-text path keeps the fallback the last character took while it covers the next, so shaping clusters stay whole: with two fallbacks, a character only the second covers carries the next one, which the first covers too, into the second; macOS and Windows choose per character. The owner chose to leave that so. Each family must load as the terminal draws it, as Font family must, so a family gpui would pass over without a word stops the start or the save, the error naming `font_fallbacks`; an empty name is refused. The field is new beside `font_family`, so a settings file from before loads as it was. Settings › Appearance lists them under Family: each an Ely `FontPicker` whose pick replaces it and a button that removes it, then Add fallback, which opens an empty picker whose pick adds one, its button closing it; a refused pick shows the saved family again, as Family's does. Each row keeps an input of its own, and a removal drops the removed row's input and takes the focus away, since Ely's combobox keeps a focused input's text, and an input kept by place would show, and on Enter save, the family removed. Each picker's id is its input's entity, not its place: Ely's combobox keeps its state by id and listens to the input it first met, so a picker keyed by place, after a removal moved the inputs, wrote another row's family into its new input at the next blur. Ligatures and the bundled Nerd Font for private-use icons stand as before; the cursor preview keeps the family alone.
 - 2026-10-19: a user found the IME's candidate box jumping on Windows after 0.1.6. gpui places it, through `ImmSetCompositionWindow` and `ImmSetCandidateWindow`, only when a composition starts, at the caret the terminal reports, the grid cursor's cell from the last frame, hidden or not. On the owner's PC, WeType under powershell.exe and under a status line redrawn every 100 ms put the box at the caret in 23 compositions out of 23, so the owner closed it unreproduced. The terminal logs each caret the input method asks for, at debug, and each move of the caret, at trace, so the next report carries where the box was told to go.
+- 2026-10-19: Ely's shirt and back hair run on below the edge she holds, which a user asked for after 0.1.6, where a hop lifted her whole figure off the window and showed a gap under her collar and hands: both continue down to 340 in the icon's units, 54 below the edge at 286, past her highest lift, a hop of 31 with a press's 0.6 of one on it, so a hop shows more of her and never the gap; at rest the part below the edge lies outside her window and does not show. The shirt moves with her body, the hair with her head, as before; the hair behind her hands fills under them as she lifts.

PRD.md

@@ -73,7 +73,7 @@ Ghostty is the bar for what the terminal does. ELYTerminal owns its engine on `a
 - The window opens at the size it was left at, on macOS, Windows and Linux: the size is kept in settings once it settles; a maximized or full-screen window keeps the size from before; a kept size past the screen shrinks to it; the window is no smaller than 100 by 100, the least the settings keep.
 - The title shows the active session's title, and no other text.
 - The pointer over the terminal is the arrow.
-- Ely, the icon's girl, peeks over the window's top edge from behind it, on macOS, Windows and Linux; where no room lies above the window, at the screen's top or full screen, she stands inside it at its bottom left. She moves all the time, as she does in the films: she breathes, sways and blinks, and how the sessions are doing, waiting, an error, work, a finish or calm, moves her. Nothing but her shows: no frame, line or shadow around her. A press pets her, and wakes her from a doze. A drag moves her along the edge she stands on, and she stays where she is let go. A switch in Settings, Terminal, turns her off.
+- Ely, the icon's girl, peeks over the window's top edge from behind it, on macOS, Windows and Linux; where no room lies above the window, at the screen's top or full screen, she stands inside it at its bottom left. She moves all the time, as she does in the films: she breathes, sways and blinks, and how the sessions are doing, waiting, an error, work, a finish or calm, moves her. Nothing but her shows: no frame, line or shadow around her. A hop lifts more of her from behind the edge, never her body off it. A press pets her, and wakes her from a doze. A drag moves her along the edge she stands on, and she stays where she is let go. A switch in Settings, Terminal, turns her off.
 - The title bar is transparent, as Ghostty's: the window's background, opacity and blur run under it, so it wears the terminal's color.
 - Every control in the title bar takes its own press on every platform, the window buttons Ely draws on Windows and Linux too.
 

src/pet/rig.rs

@@ -61,10 +61,10 @@ const fn part(name: &'static str, color: u32, frame: [f32; 4], bone: Bone, shape
 /// Every layer, back to front.
 #[rustfmt::skip]
 const PARTS: &[Part] = &[
-    part("hair-back", 0xEC86B5, [117.0, 45.0, 278.0, 262.0], Bone::Head, r#"<path d="M256 46C192 46 142 90 136 158C131 214 126 262 118 306L394 306C386 262 381 214 376 158C370 90 320 46 256 46Z"/>"#),
+    part("hair-back", 0xEC86B5, [117.0, 45.0, 278.0, 296.0], Bone::Head, r#"<path d="M256 46C192 46 142 90 136 158C131 214 126 262 118 306L118 340L394 340L394 306C386 262 381 214 376 158C370 90 320 46 256 46Z"/>"#),
     part("shade-back", 0xD9659A, [193.0, 199.0, 126.0, 78.0], Bone::Head, r#"<path d="M194 200C198 238 214 262 230 276L282 276C298 262 314 238 318 200Z"/>"#),
     part("neck", 0xF7CDBE, [235.0, 221.0, 42.0, 50.0], Bone::Body, r#"<path d="M236 222L276 222L276 266C268 270 244 270 236 266Z"/>"#),
-    part("collar", 0xFFFFFF, [197.0, 255.0, 118.0, 30.0], Bone::Body, r#"<path d="M198 284C204 268 222 258 238 256L256 272L274 256C290 258 308 268 314 284Z"/>"#),
+    part("collar", 0xFFFFFF, [193.0, 255.0, 126.0, 86.0], Bone::Body, r#"<path d="M198 284C204 268 222 258 238 256L256 272L274 256C290 258 308 268 314 284L318 340L194 340Z"/>"#),
     part("bow", 0xF05A97, [221.0, 247.0, 70.0, 32.0], Bone::Body, r#"<path d="M256 264C244 250 226 248 224 258C222 270 236 278 256 264ZM256 264C268 250 286 248 288 258C290 270 276 278 256 264Z"/>"#),
     part("knot", 0xD94683, [247.0, 255.0, 18.0, 18.0], Bone::Body, r#"<circle cx="256" cy="264" r="8"/>"#),
     part("skin", 0xFFE7DC, [177.0, 93.0, 158.0, 152.0], Bone::Head, concat!(r#"<path d=""#, "M178 164C178 116 212 94 256 94C300 94 334 116 334 164C334 202 312 228 284 238C274 242 264 244 256 244C248 244 238 242 228 238C200 228 178 202 178 164Z", r#""/>"#)),
@@ -270,6 +270,43 @@ mod tests {
         }
     }
 
+    #[test]
+    fn her_shirt_and_hair_run_below_the_edge_at_her_highest_hop() {
+        use super::super::look::{Mood, pose};
+        let moods = [
+            Mood::Calm,
+            Mood::Done,
+            Mood::Working,
+            Mood::Error,
+            Mood::Waiting,
+        ];
+        let mut highest = 0.0_f32;
+        for mood in moods {
+            for held in (0..130).map(|step| f64::from(step) * 0.02) {
+                for petted in [None]
+                    .into_iter()
+                    .chain((0..31).map(|step| Some(f64::from(step) * 0.02)))
+                {
+                    let pose = pose(mood, held, 10.0, petted);
+                    highest = highest.max(pose.lift + pose.bob);
+                }
+            }
+        }
+        assert!(
+            highest > 40.0,
+            "a press inside a hop lifts her {highest} units"
+        );
+        let edge = VIEW[1] + VIEW[3];
+        for name in ["collar", "hair-back"] {
+            let part = PARTS.iter().find(|part| part.name == name).expect(name);
+            let bottom = part.frame[1] + part.frame[3] - highest;
+            assert!(
+                bottom > edge,
+                "{name} ends at {bottom}, above the edge at {edge}"
+            );
+        }
+    }
+
     #[test]
     fn she_is_drawn_from_every_part_the_icon_gives_her() {
         let named = |name: &str| PARTS.iter().any(|part| part.name == name);

tasks/acceptance.md

@@ -90,6 +90,7 @@ What no check reached: no real KWin drew the blur; of Wayland desktops, only Hyp
 | The title bar is transparent | T11, T19 | T19 review | Pass |
 | Every title bar control takes its press, Ely's window buttons on Windows and Linux too | T26 | Ely `cdc5ce8`: `window_controls_occlude_what_lies_under` (each style; before, the box under Windows' caption buttons took the press), `a_wobbling_press_on_a_slot_moves_no_window` (before, the window moved), `a_wobbling_press_on_a_column_title_moves_the_window`; on the owner's PC, window messages asked the app for Windows' hit test along the title bar: v0.1.0 answered caption from end to end, T26's build answers client over the toggles and +, caption over the titles, min, max and close over Ely's buttons, and a press on close closed the app; the owner, given v0.1.1's build and these controls to click, reported it works on Windows | Pass |
 | Ely peeks over the window's top edge from behind it, or stands inside at its bottom left where no room lies above it; her face follows the sessions; a press pets her and wakes her from a doze; nothing but her shows; a drag moves her along her edge | T46, T48, T49, T51, T52, T53, T55 | `pet::look` tests: the most pressing mark sets her mood; she moves in every mood, weeks into one too; she blinks on her own, twice at times, her eyes opening as an act begins; calm glances, then dozes with zs; a finish cheers her with a hop; work runs her eyes along the lines and taps her fingers; a wait widens her eyes and hops her twice a round; an error shakes her and runs a drop down; a press winks with a rising heart; she rises from behind the edge; a change of act eases her from her last pose, her brows easing and the marks she leaves fading; `pet` tests: a mood that changes inside a wink, an old finish cleared mid-glance and a second press mid-hop each ease her from where she was, where round 1 of T49's review found her drop 12 points; `pet::rig` tests: every layer of the icon's paths parses and stays in its box, and every mark has its layer; on macOS `shot`'s snaps, 40 in 10 s while calm, caught her breathing, blinking and glancing, and two a second apart in each mood caught her reading along, rocking her mark, fretting with her drop, cheering, and easing back to calm; `pet::x11` test under Xvfb: her window stands on the pane, just above the window manager's frame, and unmaps and maps with the main window; on macOS `shot` found her the main window's child, 112 by 124 points on its top edge 140 in, a capture of the screen showed her over the edge, and OSC 7501 reports gave her surprise, worry, eyes down and a cheer; a press on her window left the main window key and every key typed before and after it reached the program; switched off and on during an error she came back worried; on a 100-point window she stood at its left edge, and moved, resized and minimized she followed it; on Windows the `pet::windows` test, red before T48, finds the framed popup Windows makes, 1898 by 1481, bare in her own box, 168 by 185 at 150%, on the pane's top edge, and no size until her window takes the place posted to it; `pet::windows` tests, red before T48's second round: with the main window at 1, 1.5 or 2 and hers at 1, 1.25 or 1.5, her height is her own and her bottom the pane's top, where it fell 62 pixels into the terminal, and at a new DPI gpui takes the rect Windows suggests, then her box comes back on her corner, or Windows' rect stands where that box would lie on a display of another DPI; two displays side by side at 144 and 96 DPI, simulated, settle her after one change, where a corner kept always, red before T48's third round, changed her DPI back and forth; and two places piled up before either ran drain on the last corner in her DPI's size, where a keep whose DPI had passed, red before T48's fourth change, set it back and forth, and where a place sized when it was posted left her 112 by 123 at 144 DPI, red before its fifth; on a Windows 11 VM at 150%, with the main window 49 pixels from the screen's top, 0.1.4 opened her 2326 by 1654 with a caption, drawn at its bottom over the terminal, and a press inside the terminal went to her; T48's build opened her 168 by 185 without one, on the edge, the press went to the terminal, one beside her box to the program behind, and one on her to her; with the window mid-screen she showed whole on its edge; T51: `pet` tests: she stands on the top edge while her box fits above the pane, 123.4 points, else the bottom; on macOS 0.1.4 opened her, over a window under the menu bar, at 1081 to 1205, inside its top, as the owner saw, and T51 at its bottom edge, 92, 140 in, and over a centered window still on its top edge, 1028; the `pet::windows` tests on the owner's PC put her on the top edge 400 pixels down the work area and on the bottom edge at its top, and there the release build stood her on the top edge of a centered window, on the bottom edge of one moved to the work area's top and of a maximized one, 210 pixels in at 150%, and on the top edge again once it came back; the `pet::x11` test under Xvfb puts her on the bottom edge once `_NET_WORKAREA` leaves no room; on WSLg's X11 she stood over a window with room and inside one as tall as the screen; on WSLg's Wayland, Weston, her popup stood on the pane's top edge and, once the window was maximized, opened again on its bottom edge, at its bottom left; under Xorg with two monitors she moved to the bottom edge of a window at the lower one's top, 112x123+240+1277, and of one held mostly by a staggered monitor at its top, 112x123+1240+877; under headless Sway her anchor went (140, 0) on the top edge, then (140, 999), (140, 799) and (140, 999) on the bottom edge as the window went full screen and the output 800 and 1000 high, and full screen at the same size moved her too; T52: the `pet::look` test wakes her from a doze 400 s into calm with a preLine truncated
+| Ely's hop lifts more of her from behind the edge, never her body off it | T62 | `pet::rig` test: over every mood, 2.6 s of each and a press at each point of a hop, her highest lift, above 40 units, leaves the shirt and back hair below the edge; red with the shapes before; on macOS 24 snaps of her window waiting on the user, two hops a round, found the bottom row of her box opaque across its middle in every one, the highest 14 pixels from its top, where the build before, at the same height, showed that row clear across its width | Pass |
 
 ## 7. Sessions panel